During the dark of the moon in Oregon, one day you can go to the Cascade Mountains for the Milky Way over the 3 Sisters (next post). Then you can go the the Pacific Coast to see the secrets that are revealed when the ocean pulls back at extreme low tides. Here are some colorful tidepool creatures we enjoyed photographing.
Not all that is revealed is alive. Sometimes the receding water makes abstract designs in the sand.
All are fun to photograph.
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Post 1 – Finding subjects
So what’s the buzz about?
Stingless bee, Belize
© 2014 Bob Harvey
Bob caught this bee after studying the flight patterns of the bees at El Pilar Mayan Site in Belize. Harmless bees, a lot of patience, and a quick trigger finger!
On the trail in Costa Rica
© 2014 Diane Kelsay
Not all images require patience and timing, but some do require that you LOOK when hiking down a trail. I like to turn around occasionally when I see a potential subject and check the lighting from the other side, as well as alternate compositions. Do watch where you are walking though, I sometimes get carried away looking backwards and … ooops!
And speaking of views from the ground…
Hosta, at home in the garden.
© 2014 Diane Kelsay
I spent a lot of time composing this one. The morning rain left gorgeous drops on leaves (it also left the ground very wet). I set up my tripod and got down on the ground, being careful not to bump the plant. I played with the aperture while looking at the image with depth of field preview on. Notice the reflections of other hosta leaves in each drop. I wanted every drop in focus but no more – more depth of field would have made the background distracting.
Heliconia, Belize
© 2014 Diane Kelsay
Opposite strategy, little depth of field – I placed a flower right in front of the lens to make the red a soft focus framing for the stark black and green lines.
Butterfly, Costa Rica
© 2014 Bob Harvey
As with the plants, you don’t always need to show the whole critter. Sometimes an abstract design has greater impact.
Sea anemone, Oregon Coast
© 2014 Bob Harvey
I do love this photo of Bob’s. What a great design! You are seeing about 1 inch of a 5 inch anemone.
Basilica, Quito, Ecuador
© 2014 Diane Kelsay
After photographing numerous shots of stained glass windows and the light patterns on the stone walls, I moved in close to capture the texture and color of a small space.
Sunlight on ice, Yellowstone winter
© 2014 Diane Kelsay
I worked with a few of our participants to find ways to capture the glow of the backlit ice. We had lots of fun moving around in the snow and finding great angles. I then taught them how to include a starburst in an icicle by stopping down the aperture and shooting with a wide angle lens.
Wolf print in the snow, Yellowstone winter
© 2014 Bob Harvey
On our trips, we are constantly looking for surprises.
Bacteria mats, Yellowstone winter
© 2014 Diane Kelsay
Close-up potentials are everywhere in Yellowstone – sometimes you do have to lie down on the boardwalk and lean over the side! Yellowstone, Belize, Costa Rica, Oregon, and our own backyards are some of our favorite places to work with macro lenses. We also like to use telephoto lenses and extension tubes and sometimes wide angle. I will be posting more on this subject. We would be happy to work with you to develop more macro skills. It is a great way to look at the world. Email me for more information – diane@naturephotographyadventures.com
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