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Basically, at this point, we adjust the exposure (if needed) to
either pull back slightly on an overexposure (with a shorter
exposure or smaller aperture) or edge the exposure closer to
white (by adding time to the exposure or enlarging the
aperture).
It’s
important to remember that even though we record both RAW and
JPEG images for each shot, that the review pane showcases the
JPEG. It would do that if all we shoot is RAW, too. That
review pane applies white balance, which should give us a good
indication whether that part of our thinking is on track, too.
We do, though, usually fine tune the white balance during the
RAW conversion step as we take the image into Photoshop.
We’re
sometimes inclined to make multiple compositions. Sometimes we
find that one angle separates the shades of white better than
another once we get back to our studios.
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